MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


Leave a comment

The Saddest Songs of Rock and Roll – # 1

by Lawrence J. J. Leonard

Eric Clapton

Can you believe we have reached the Top Spot?
Thank you for following this blog and sharing it with your friends and family.
I always appreciate your interest and comments.
And now, “The next voice you hear . . . “
This song, the saddest of rock and roll,  expresses the ultimate experience
a person could ever engage in

for the sake of a perceived want or for the sake of love. 
For the loser, the loss cannot be calculated.
For the hurt, the despair is of a depth which can never be plumbed.
When we ourselves decide there is no other way to secure a valued relationship,
we – without question – cross a line . . .

Historically, forbidden love is exciting. But even the modern day seeker of forbidden love must follow rules, especially when a sweetheart belongs to another. How far have men gone to give a passionate embrace to another woman? King David made that bad choice. How far would a woman go to get the man she thinks is her soul mate? Well, let’s see. We have infamously stained dresses and a very high divorce rate among Los Angeles and New York actors for infidelity. Just the same, there has been no female version of “Say Anything.” Let’s not hold our breath for a woman so single-minded. What does a lovelorn man do when the object of his desire and passion is already taken?

Continue reading

Advertisements


1 Comment

Saddest Songs of Rock and Roll – #47

by Lawrence J. J, Leonard

Deep seeded memories can be as happy as hugs, kisses, laughter, smells, and compassion. Alternatively, we can sustain images of cruelty, neglect or harmful incidents.
This was the mindset of Americans after the Civil War (1861-1865) digging the graves of honorable veterans. Our grandparents and great-grandparents and their forebears were devastated and torn apart by violent conflict in this land we call home.

Canadian composer Robbie Robertson and his music project, The Band, took the view that this aspect of America’s homegrown war deserved a closer look. Robbie had been working on the song with founding band member Levon Helm in Woodstock.

They researched the Union Army’s “Stoneman Raids” and developed a song about Virgil. It is from this poor southerner’s perspective that the 1969 ballad expressed the sadness of a citizen crushed by the might of his own countrymen’s military fury.

The sorrowful lament was unranked when The Band released the record. It was thoughtfully re-released as a cover by American folk singer Joan Baez in 1971. War is hell.

Continue reading