MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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The Saddest Songs of Rock and Roll – #12

by Lawrence J. J. Leonard

Who is the one to say ‘this is how it is’ in a relationship ?  You or me? Eventually we will decide which one of us is going to be the leader. When dealing with feelings, it is true that one person loves more than the other.  That does not mean love is not worth the price we pay. But, we all know Human beings take advantage of this position in order to tease (both meanly and playfully), to critique and even to humiliate. It gets worse when the proverbial pot is calling the kettle black.

The American rock band Staind is made up of Aaron Lewis – lead vocals, Mike Mushok – lead guitar, Johnny April – bass, and Jon Wysocki – drums.  The four formed in 1995 and cut their first album in 1996. Near the end of Year 2000 they were cutting their third album, “Break the Cycle  in a network of  studios from LA to New York City to Miami, Florida. While the band was known for lyrics that were angry and depressing, it was cutting its teeth in a new metal and post-grunge style that expressed the difficulties of relationships. One song in particular highlighted what it feels like when the misgivings of a cruel lover are finally exposed.

The easiest thing to do is to criticize another person. It happens every day on Twitter, Instagram, Facebook, and every other overly social web that invites comment and controversy. Among our friends we talk about it at work, we engage in it behind the wheel, and raise our voices to our world’s leadership, especially those who lack leadership. What should our attitude be when the one closest to us breaks our hearts with hurtful words and hipocrisy?

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The Sky is Crying – Texas Flood

by Lawrence J. J. Leonard

Today we celebrate rain and wind and convection and hurricanes.
Hurricane Harvey is causing way too much anxiety for the East Texas coast.

We are praying for the south Texas coast, especially Corpus Christi and all the surrounding cities.
We are praying for Kingsville and Brownsville, Texas, and Matamoros, Mexico, too.

Stevie Ray Vaughan said it best, “The sky is crying.”
But this weekend, we are having ourselves a genuine Texas Flood.

Thank you for praying for Houston, too.

GOD BLESS TEXAS!

Peace!

Hunker down!

Copyright © 1960-2017 Lawrence J. J. Leonard All rights reserved.


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Telltale Tongue

by Lawrence J. J. Leonard

When we stick out our tongues at someone who has angered us,
it is a sign that what we really feel is frustration or defiance or disgust.
When we have that exact reaction in a pleasant context, it is a demonstration that what we really feel is consolation or irony or just playful.

What matters most is what we intend to express. What is in the heart.
The tongue is a big red flag (pun intended) that we wag when we want to express something cutting or hurtful.
Then again, it is a soft and comforting tool when we want to speak soothingly to someone in pain or console someone’s exasperation.

Why the tongue so powerful?
This explanation will be shorter
than a Top 40 song from 1960s.

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The Saddest Songs of Rock and Roll – #17

by Lawrence J. J. Leonard

This is nothing wrong with death. It is a natural process in the life cycle of living things. Unfortunately, there are circumstances where some of us face death all too soon in our journey here on Earth. American TV advertising floods programming with commercials telling us to buy products which will keep us young and reverse or slow the aging process. Why? Manufacturers think that we are afraid of dying and of looking old. So, they assemble products to “boost” naturally fading hormones. Surprisingly, the Botulinum toxin (BTX) a neuro-toxic protein produced by the bacterium Clostridium botulinum is one of those products. BTX is an acutely lethal toxin that “they think” will stop the aging process through paralysis. Who wants a killing toxin injected into the body, much less injected into the face? Ironically . . . people who are afraid of dying and looking old.


More than 23 years ago, (how’s that for aged?) Scott Hull founded the grindcore band Agoraphobic Nosebleed in Springfield, Massachusetts with Carl Schultz and J. R. Hayes.  While many band members have come and gone, Scott is the remaining original. He is a guitarist and drum programmer who can be pointed out as a significant influence on several drum-machine grindcore bands today.   Grindcore is a genre of music that is considered ‘extreme’ because it uses slow, industrial laden beats, abrasive-sounding tones, including heavily distorted and down-tuned guitars and grinding overdriven bass. The beat can flip to a high speed tempo with blasting vocals – growls and rumblings, and even screams.

Today, the group is made up Jay Randall, Kat Katz, formerly of SalomeRichard Johnson of Enemy Soil and Drugs of Faith, and John Jarvis formerly of Pig Destroyer and Fulgora. ANb has perfected the “micro-song” characteristic by releasing four studio albums and 27 short length efforts in their career. This includes the EP entitled “ARC” which has a track that puts the listener in the center of a death scene. The EP features vocalist Kat. “ARC” is supposed to be the inaugural effort of a four-work EP series. The purpose of which allows each individual band member to express themselves through the grindcore experience.

What is it like when we lose a dear loved one? Do we only shed tears? If our feelings could speak, would they not also scream and growl and breakdown in loud and sorrowful desperation? What is that one thing we would petition our dying loved one before their life oozed from this realm of pleasure and pain?

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The Saddest Songs of Rock and Roll – #18

by Lawrence J. J. Leonard  (WARNING: adult content)

Those of us who are older are familiar with the British phrase: ‘Keep a stiff upper lip.’ It supposedly is considered an encouragement. Its intention is: ‘We support you,’ or ‘Don’t lose heart,’ or ‘Keep on keeping on.’ More currently:  ‘Keep Calm and _(fill in the blank)_.’ As Human beings we must continue to encourage each other to get through dark times. We often face a lack of resources, bullies, bad governments, snakes in sheep’s clothing, liars, cheats, and swindlers. Most of these trials involve bad people. We are never the only person in the whole world who has to face down a bully.  It just feels like that. Parents who let their kids get bullied need to seek out TV and radio media and expose the lazy system their child is inside BEFORE someone is hurt or self injures. With all the noise generated by a modern world, it seems we are more and more responsible for encouraging ourselves. What if the bully is our own mind?

The British rock band Bring Me the Horizon appears to have taken on this task. Their success on four previous albums led them to their fifth studio effort “That’s The Spirit.” There are eleven tracks on this effort and eight of them were released as singles. Music critics have said BMTH’s musicality is in the vein of Linkin Park, with chorus stylings reminiscent of bands such as early Metallica, and also Avenged Sevenfold and Thirty Seconds to Mars. Oliver Sykes, Matt Nicholls, Lee Malia, Matt Kean, and Jordan Fish make up the band.  This membership, after Curtis Ward and Jona Weinhofen left during the formative years.

Lee once revealed to BBC Radio that the first track they worked on for the fifth album was inspired by the group Rage Against the Machine. He explained that the lyrics make light of a “sh++++” situation. More specifically they deal with depression. Oliver says that the song is the unofficial tile track of the album.

We often fall into the trap of repeating to ourselves the bad words we use to describe our own shortcomings. It doesn’t have to be this way. What if we took that power and used it to build ourselves up and help ourselves get better?

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The Saddest Songs of Rock and Roll – #19

by Lawrence J. J. Leonard

Ever heard some teacher say, “In a perfect world, we would all help each other” ? It sounds noble. Except that people in a perfect world don’t need any help. Every situation would be . . . perfect. The society we live in now is not perfect by any means. We all should help each other if and where we can. Often some helpful person gets praise and we declare her/ him to be a type of  ‘hero.’ So what happens to our heroes as they become old? We also grow older and then move away only to forget them. Then, new people come to power who have never heard of our so-called hero. It happened in Egypt after the death of Joseph (and his coat of many colors). What if Earth’s ancient heroes were giant robots? What happens when these hulking contraptions re-activate themselves and are frustrated with our ridicule and lack of praise? It is a painful experience, especially when our heroes are 100% Human, too.

Consider the awkward situation that the English Rock band Black Sabbath were in.  They formed in 1968 in the county of Warwickshire, city of Birmingham, England. Drummer Bill Ward, bassist Geezer Butler, guitarist  Tony Iommi, and singer Ozzy Osbourne, and are considered pioneers of Metal Rock. More precisely Heavy Metal.  They had just released their self-titled album in 1970 when inspired to produce and release a second album that very same year. The band name came from the film, “Black Sabbath,” a 1963 effort starring Boris Karloff, and this is where the group derived their horror themed songs.

They debuted with a Certified Solid Gold album in the UK and Canada, and Platinum in the US. Their second work entitled “Paranoid” included eight innovative tracks that metal rock music fans were growing an appreciation for.  The songs were not guitar feedback and relentless drums, but styled songs with thematic lyrics.  One song in particular which Geezer penned was about a man’s journey into the future. He sees the apocalypse and quickly returns to the present to warn his society. Strangely, the trip home magnetically transforms him into a giant man of iron who is not able to speak

It is one thing to react to someone who cannot speak. It is quite another to make fun of someone when they are trying to communicate with us. There are always consequences. How do we treat people who want to be heard? What does it say about us when we ignore those who are not quite as “normal” as we are?

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The Saddest Songs of Rock and Roll – #22

by Lawrence J. J. Leonard

Years of experience have taught our old time farmers what to expect in a given situation. Pleasant weather turning bad. What is a good tool and what is a better tool to use for a job. How to not let your eyes fool you – so use a measuring stick.  And, what it really takes to get from point A to point B.  There is always that outlier, that one freak possibility which can cause everything to go wrong. We are instructed to be prepared for that outcome and especially a loss in any case.

In 1968 Michael Martin Murphey was a student at UCLA, working on a concept album for Kenny Rogers. The work meant long hours and little sleep. In his fatigue Michael is said to have dreamed of a song.  He woke up and by the next morning wrote it down. He told an interviewer that the song reminded him of a story his grandfather told him when he was a little boy. It detailed a Native American legend about a ghost horse.

Michael was teamed up with Boomer Castleman in 1967 as part of a duo known as the Lewis & Clark Expedition (which had a brief stint on TV).   After Michael began his solo career later in 1968 he co-wrote his song with Larry Cansler. They were struggling in southern California at the time.

By 1971 Michael came back to Texas and joined the “Outlaw Country” movement. He was working along side Willie Nelson and Jerry Jeff Walker. Michael created a unique blend of country, rock, and folk music. This caught the ear of Epic Records managers who produced four albums for him, including “Blue Sky – Night Thunder” which peaked at #18 on the Billboard 200 Album chart in 1975. This was the seminal work of Michael’s career. The lead track of the album still brings young girls and old men to tears. It is the tale of a man facing devastating weather, a runaway prized pony, and a lost love.

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