MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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The Saddest Songs of Rock and Roll – #10

by Lawrence J. J. Leonard

Can we ‘have our cake and eat it, too?’ This is an example of a kind of paradox. If we eat it, it is gone then we do not have it. If we have it, we cannot eat it, too, because it would be gone. It is akin to saying, ‘this statement is false.’ Which may be true. But, it cannot be both ‘false’ and ‘true’ at the same time. In some instances we look at our own lives and say to ourselves, “I refuse to live like this.” Then again, paradoxically we are here, living those lives we are refusing to endure.

Consider the American rock band Shinedown. They hail from Jacksonville, Florida, and were formed by singer-songwriter Brent Smith. He started the band after his self titled “Smith” band broke up while still under contract with Atlantic Records. He reorganized in 2002 and recruited original band members: guitarist Jasin Todd, bassist Brad Stewart, and percussionist Barry Kerch. But these members did not stay together for long. The group members outgrew each other after the first two albums. And it was these works which sparked the Shinedown trek into music history. To date the band has accounted for over 10 million records sold.  They have 11 #1 singles on the Billboard Hot 100 Mainstream Rock charts, which is third behind Van Halen and Three Days Grace.

Being happy or sad or upset with the way our current situation is, may be a matter of choice. Each day we face situations that are thrust upon us. We somehow keep trying over and over to get it right. This is how Shinedown eventually began writing songs that dealt with pain and angst for their debut album “Leave a Whisper.” They crafted lyrics which discussed coping with life’s hurts and disappointments. After  a handful of demos and seven auditions for a drummer, which Barry eventually made the grade, they were able to fulfill their recording contract. The first track, “Fly from the Inside” was released as a single just two months before the album debuted.  The song which featured cries of pain and frustration peaked at #5. Then there was another song which sparked some serious controversy.

This new new song was reportedly not about suicide but about being comfortable in your own skin. Apparently, the world hands us the power to enjoy the gift of life or the power to destroy our own world. The group’s fans reacted favorably to the desolate guitar riffs and gloomy tone of the melody.  Do we have the will to get through the ashes of a bad day despite our fears?

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The Saddest Songs of Rock and Roll – #12

by Lawrence J. J. Leonard

Who is the one to say ‘this is how it is’ in a relationship ?  You or me? Eventually we will decide which one of us is going to be the leader. When dealing with feelings, it is true that one person loves more than the other.  That does not mean love is not worth the price we pay. But, we all know Human beings take advantage of this position in order to tease (both meanly and playfully), to critique and even to humiliate. It gets worse when the proverbial pot is calling the kettle black.

The American rock band Staind is made up of Aaron Lewis – lead vocals, Mike Mushok – lead guitar, Johnny April – bass, and Jon Wysocki – drums.  The four formed in 1995 and cut their first album in 1996. Near the end of Year 2000 they were cutting their third album, “Break the Cycle  in a network of  studios from LA to New York City to Miami, Florida. While the band was known for lyrics that were angry and depressing, it was cutting its teeth in a new metal and post-grunge style that expressed the difficulties of relationships. One song in particular highlighted what it feels like when the misgivings of a cruel lover are finally exposed.

The easiest thing to do is to criticize another person. It happens every day on Twitter, Instagram, Facebook, and every other overly social web that invites comment and controversy. Among our friends we talk about it at work, we engage in it behind the wheel, and raise our voices to our world’s leadership, especially those who lack leadership. What should our attitude be when the one closest to us breaks our hearts with hurtful words and hipocrisy?

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The Saddest Songs of Rock and Roll – #22

by Lawrence J. J. Leonard

Years of experience have taught our old time farmers what to expect in a given situation. Pleasant weather turning bad. What is a good tool and what is a better tool to use for a job. How to not let your eyes fool you – so use a measuring stick.  And, what it really takes to get from point A to point B.  There is always that outlier, that one freak possibility which can cause everything to go wrong. We are instructed to be prepared for that outcome and especially a loss in any case.

In 1968 Michael Martin Murphey was a student at UCLA, working on a concept album for Kenny Rogers. The work meant long hours and little sleep. In his fatigue Michael is said to have dreamed of a song.  He woke up and by the next morning wrote it down. He told an interviewer that the song reminded him of a story his grandfather told him when he was a little boy. It detailed a Native American legend about a ghost horse.

Michael was teamed up with Boomer Castleman in 1967 as part of a duo known as the Lewis & Clark Expedition (which had a brief stint on TV).   After Michael began his solo career later in 1968 he co-wrote his song with Larry Cansler. They were struggling in southern California at the time.

By 1971 Michael came back to Texas and joined the “Outlaw Country” movement. He was working along side Willie Nelson and Jerry Jeff Walker. Michael created a unique blend of country, rock, and folk music. This caught the ear of Epic Records managers who produced four albums for him, including “Blue Sky – Night Thunder” which peaked at #18 on the Billboard 200 Album chart in 1975. This was the seminal work of Michael’s career. The lead track of the album still brings young girls and old men to tears. It is the tale of a man facing devastating weather, a runaway prized pony, and a lost love.

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The Saddest Songs of Rock and Roll – #26

by Lawrence J. J. Leonard

We are often asked “How did it happen?” but rarely “Why did you let it happen?” We have easy answers for how a relationship fails: ‘they gave up,’ or ‘they didn’t want me any more,‘ and the tried and true ‘it was her/ him, not me.’ The problem is when it comes to ‘why’ because then we don’t always speak plainly. We are either brutally honest (truth!) or radically sarcastic (No – I hate my one and only). Sarcasm says a lot about who we really are inside, doesn’t it? Psychologists say that when we tease in this way, we reveal what is truly fascinating us.

For the long experienced British rock band 10cc a change in their future was because of the band’s name. It had been changed previously more than seven times with some varied recording success in the UK and the US as the band morphed from rock and roll to pop to bubblegum dance music. Their Strawberry Studios production facility was making hits for Top 40 artists such as Silver Fleet, Freddie and the Dreamers, Ohio Express and Neil Sedaka.

But, it was when they signed on with Jonathan King, an English singer-songwriter, record producer and music entrepreneur, that they admitted how they felt about themselves as rock and roll songwriters and musicians. Eric Stewart, Graham Gouldman, Kevin Godley, and Lol Crème used the “male sex drive” moniker to lead them to five Top 10 singles and a #1 hit all from their first five releases.

On their way to success in America the quirky “Life is a Minestrone” was the first single from their third studio album, “The Original Soundtrack.” For some this parody was too Frank Zappa-esque and a confusing surprise.  It seems their sharp wit put off quite a few music lovers, despite reaching #7 in the UK. That is the slippery part about sarcasm, it sometimes makes people laugh when we are expressing how sad we really are about something.

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It’s your worldview that convicted you

by Lawrence J. J. Leonard

“Why,” asked the defendant, “did they jury point out
that I was kind, and pretty and well intentioned?
Then jolt me with a mandatory sentence?” Continue reading


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WORDS: Con pewter

by Lawrence J. J. Leonard

The digital television is not even a television.


It is a monitor. 
No, not even that.
It is a blank screen.

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STEGANOGRAPHY: YOU NEED THE WORK

NOTHING SAYS “WE RESPECT YOU” LIKE
HAVING TO WORK ON A HOLIDAY TO
SELL MADE IN CHINA PRODUCTS
BY CHILD AND SLAVE LABOR, SOLD
FOR CORPORATIONS ON TAX BREAKS THAT
ARE PAYING MINIMUM WAGES TO WORKERS.
YOU’LL GET NO HOLIDAY CELEBRATION  
WITH THE FAMILY BUT YOU NEED THE WORK. RIGHT?

Copyright © 1960-2015 Lawrence J. J. Leonard  All rights reserved.