MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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Tom Petty – RIP

by Lawrence J. J. Leonard

In an ironic twist of life and death, we will soon celebrate the birthday of Thomas Earl Petty, AKA Tom Petty, the  American rock musician, singer-songwriter, producer and music icon.  He was born in Gainesville, Florida, on October 20, 1950.

As the lead singer of Tom Petty and the Heartbreakers in his early career, he went on to co-found the 1980s supergroup “The Traveling Wilburys” with George Harrison (formerly of The Beatles) which also included Bob Dylan, Roy Orbison, and Jeff Lynne (formerly of Electric Light Orchestra).

His recent death on October 2, 2017,  came too soon for our current generation of youth and 20-somethings who are woefully musically clueless by being exposed to the overpoliticized genre that is the self-aggrandizing rhythmic expression performed as Rap. Add to that the Electronic Pop swill from LA and NYC “record” production companies which foist repetitive and mindless phrases posing as anthems into the distribution stream to hawk oversexualized personas that will never pass as teen role models no matter how little they “donate to show you care” –  when everyone is looking. But, I digress. Suffice to say that music as an art form has gone DOWN a peg with his unexpected passing.

If you grew up with rock music and appreciated what it was to sing about America and the American dream, or even if you only just learned about his melodies, or were ever fortunate enough to see him in concert, you may appreciate the following  song from the Heartbreaker’s golden years.  It was at the dawning of cable TV and MTV and CCTV and mobile phones. 

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The Saddest Songs of Rock and Roll – #10

by Lawrence J. J. Leonard

Can we ‘have our cake and eat it, too?’ This is an example of a kind of paradox. If we eat it, it is gone then we do not have it. If we have it, we cannot eat it, too, because it would be gone. It is akin to saying, ‘this statement is false.’ Which may be true. But, it cannot be both ‘false’ and ‘true’ at the same time. In some instances we look at our own lives and say to ourselves, “I refuse to live like this.” Then again, paradoxically we are here, living those lives we are refusing to endure.

Consider the American rock band Shinedown. They hail from Jacksonville, Florida, and were formed by singer-songwriter Brent Smith. He started the band after his self titled “Smith” band broke up while still under contract with Atlantic Records. He reorganized in 2002 and recruited original band members: guitarist Jasin Todd, bassist Brad Stewart, and percussionist Barry Kerch. But these members did not stay together for long. The group members outgrew each other after the first two albums. And it was these works which sparked the Shinedown trek into music history. To date the band has accounted for over 10 million records sold.  They have 11 #1 singles on the Billboard Hot 100 Mainstream Rock charts, which is third behind Van Halen and Three Days Grace.

Being happy or sad or upset with the way our current situation is, may be a matter of choice. Each day we face situations that are thrust upon us. We somehow keep trying over and over to get it right. This is how Shinedown eventually began writing songs that dealt with pain and angst for their debut album “Leave a Whisper.” They crafted lyrics which discussed coping with life’s hurts and disappointments. After  a handful of demos and seven auditions for a drummer, which Barry eventually made the grade, they were able to fulfill their recording contract. The first track, “Fly from the Inside” was released as a single just two months before the album debuted.  The song which featured cries of pain and frustration peaked at #5. Then there was another song which sparked some serious controversy.

This new new song was reportedly not about suicide but about being comfortable in your own skin. Apparently, the world hands us the power to enjoy the gift of life or the power to destroy our own world. The group’s fans reacted favorably to the desolate guitar riffs and gloomy tone of the melody.  Do we have the will to get through the ashes of a bad day despite our fears?

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The Saddest Songs of Rock and Roll – #13

by Lawrence J. J. Leonard

Ever had a friend that was always putting themselves down? Remember the times we may have done the same thing to ourselves? It is never easy feeling inadequate. This is something we do to ourselves. If others try to tell us how we are wrong, it can make us feel powerless. If we tell ourselves we can’t make the grade, then we are just giving up true power over our own lives. Wanting to be the best we can be can involves being with others. It can get confusing if we think that someone else can make our lives better, just by being close to them.

The English alternative rock band Radiohead kicked off their career with this concept. Band members Colin Greenwood – bass guitar, Jonny Greenwood – guitar and keyboards, Ed O’Brien – guitar and backing vocals, Philip Selway – drums, and Thom Yorke – lead vocals, are all involved in songwriting. Colin has reported that Thom wrote their first hit song while a college student in the late 1980s. Supposedly the lyrics were inspired by a girl that Thom had a crush on. She showed up at one of the band’s early concerts and that was the spark. While in the studio for their first album, the band decided to perform the song for their producers. They were impressed and encouraged the bigwigs at EMI Records to release it as the group’s first single.

The band had some issues with their newfound fame beginning in 1993. Extending their tours in the US and the UK and playing the same songs over and over again.  The group complained that they felt like they were stuck. Being sad, depressed or melancholy is not an easy place to leave. Especially if our own bodies are causing us physical and mental pain.  It is so important to try… to try and get a handle on what we tell ourselves.  Is it true that our inside-the-head game is more important that what’s going on around us?

 

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The Sky is Crying – Texas Flood

by Lawrence J. J. Leonard

Today we celebrate rain and wind and convection and hurricanes.
Hurricane Harvey is causing way too much anxiety for the East Texas coast.

We are praying for the south Texas coast, especially Corpus Christi and all the surrounding cities.
We are praying for Kingsville and Brownsville, Texas, and Matamoros, Mexico, too.

Stevie Ray Vaughan said it best, “The sky is crying.”
But this weekend, we are having ourselves a genuine Texas Flood.

Thank you for praying for Houston, too.

GOD BLESS TEXAS!

Peace!

Hunker down!

Copyright © 1960-2017 Lawrence J. J. Leonard All rights reserved.


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The Saddest Songs of Rock and Roll – #15

by Lawrence J. J. Leonard

Remember how much fun it was when we were young and met people who would become instant friends? We saw them at the pool or the library or the park. There were many more people to meet at school, but it was not the same as having a close friend living next door or just down the street. So, it was hard if that person ever moved away. Even harder when dating that person and there were any questions of fidelity. The most difficult was being in love with that person who revealed their cruel and shallow soul.

These seem to be the themes of the fifth album released by Paramore, the Franklin, Tennessee, Pop Rock Punk band. Members are guitarist Taylor York, vocalist Hayley Williams and drummer Zac Farro. This album entitled “After Laughter” was co-produced by Taylor and rock music producer Justin Meldal-Johnsen. As of this publishing date, their A side top track, “Hard Times” peaked at the #6 position in the Billboard Hot 100 singles in the Rock Songs category, but is making another run at the top, moving up again from the #29 spot to #27.  The band’s style is reminiscent of Blondie with Deborah Harry‘s skill at singing with an inviting voice over up-tempo beats while delivering pensive and too real lyrics.

I know what you’re thinking.  I am writing about their song “Fake Happy.” It received serious consideration. In the very same way that the honorably mentioned Three Degrees received a review, and it was the happy tune that placed it out of contention – for both songs. For Paramore the song that had the punch and real grit of a sad song was dealing with a very toxic relationship. It was the kind of relationship that makes you cry, that hits you in the face, that makes you want to quit and keep on fighting at the same time.

Why do we put up with a loved one who keeps breaking our heart? Unfortunately, no one knows this answer. Some famous broken-hearted person once said, ‘the heart wants what the heart wants.’ That’s just a lie we tell ourselves when the other person becomes more important than our own identity. So what happens when we do this?

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The Saddest Songs of Rock and Roll – #16

by Lawrence J. J. Leonard

We love through sheer determination. Not all of us can rise to the occasion of a Liam Neeson character who can track down a loved one unto the ends of the earth. However, among those of us with some form of courage, we find that we can walk through fire to find and help the person whom we love. If they leave us and don’t want to be found, it does not matter how hard we look. They just can’t be located.

Elvis Aaron Presley (Jan 8, 1935 – Aug 16, 1977)

That must have been what country singer  Eddie Rabbitt and songwriter Dick Heard were thinking when they wrote a particular song that was meant for Elvis Presley to sing. Elvis received the track early in 1969. It was initially recorded at the American Sound Studio in Memphis, Tennessee.  Almost one year later, the song was released as an A-side single on the RCA Records label.

When Elvis went on tour in 1970, he introduced it as a new song. It quickly became a signature work that was part of the ballads which made him a great singer, and King of Rock and Roll. For Eddie Rabbit, the theme is based on an anxious lover. The person takes on a search to find the one he loves. The song’s imagery is heavy and it effectively paints a picture that no matter where the man goes, there is no one who can help in this particular case. Not even a preacher.

Having strong feelings for someone can make us obsessive or single-minded or blinded. If we feel that strongly, we might chase the dream and try to make our way to our loved one’s front door. How bad can that be?

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The Saddest Songs of Rock and Roll – #17

by Lawrence J. J. Leonard

This is nothing wrong with death. It is a natural process in the life cycle of living things. Unfortunately, there are circumstances where some of us face death all too soon in our journey here on Earth. American TV advertising floods programming with commercials telling us to buy products which will keep us young and reverse or slow the aging process. Why? Manufacturers think that we are afraid of dying and of looking old. So, they assemble products to “boost” naturally fading hormones. Surprisingly, the Botulinum toxin (BTX) a neuro-toxic protein produced by the bacterium Clostridium botulinum is one of those products. BTX is an acutely lethal toxin that “they think” will stop the aging process through paralysis. Who wants a killing toxin injected into the body, much less injected into the face? Ironically . . . people who are afraid of dying and looking old.


More than 23 years ago, (how’s that for aged?) Scott Hull founded the grindcore band Agoraphobic Nosebleed in Springfield, Massachusetts with Carl Schultz and J. R. Hayes.  While many band members have come and gone, Scott is the remaining original. He is a guitarist and drum programmer who can be pointed out as a significant influence on several drum-machine grindcore bands today.   Grindcore is a genre of music that is considered ‘extreme’ because it uses slow, industrial laden beats, abrasive-sounding tones, including heavily distorted and down-tuned guitars and grinding overdriven bass. The beat can flip to a high speed tempo with blasting vocals – growls and rumblings, and even screams.

Today, the group is made up Jay Randall, Kat Katz, formerly of SalomeRichard Johnson of Enemy Soil and Drugs of Faith, and John Jarvis formerly of Pig Destroyer and Fulgora. ANb has perfected the “micro-song” characteristic by releasing four studio albums and 27 short length efforts in their career. This includes the EP entitled “ARC” which has a track that puts the listener in the center of a death scene. The EP features vocalist Kat. “ARC” is supposed to be the inaugural effort of a four-work EP series. The purpose of which allows each individual band member to express themselves through the grindcore experience.

What is it like when we lose a dear loved one? Do we only shed tears? If our feelings could speak, would they not also scream and growl and breakdown in loud and sorrowful desperation? What is that one thing we would petition our dying loved one before their life oozed from this realm of pleasure and pain?

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