MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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The Saddest Songs of Rock and Roll – # 7

by Lawrence J. J. Leonard

Somewhere in our past – and even our present for many of us – we can recall someone who has reached the limits of physical pain. They have hit the wall of emotional strain. Perhaps felt the crushing blow of loss.  Could be the loss of a loved one. Or loss of self worth. We empathize and want to help. We want to ease their suffering. We want to wave a magic wand or call in a favor from G_d, then *poof* the miracle changes everything. We don’t have that kind of power. So our relationship with this person changes. They want out. Or they decide to give up because they are tired of fighting the pain. They let go and leave… forever. They release their grip on this realm, but we refuse let go of their memory.

After seven years of touring and writing songs and studio efforts, the band Breaking Benjamin was able to address the kind of sorrow that humans face when badgered by hopelessness, age, cancer, and worst of all pain in their bodies and minds. The band formed in 1999 with Benjamin Burnley as lead vocalist and guitars, Aaron Fink as lead guitarist, Mark Klepaski as bassist, and Chad Szeliga (originally Jeremy Hummel ) as drummer.

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remember, only you remember

by Lawrence J. J. Leonard

…remember only you remember…
together in places
we left traces of when we last spoke

about make-believe races
purported cases
of out of sync paces

then the laces fall
and if now we talk at all

your memory of loving me fades away
until the day

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The Saddest Songs of Rock and Roll – # 9

by Lawrence J. J. Leonard

Woulda, shoulda coulda are the words we sometimes say when looking back at a situation that did go our way or work out favorably. We feel worse when a relationship we have problems with quickly comes to an end. Then what makes us more upset is seeing our Ex do well with someone else. This kind of realization can make us long for the way things used to be.

For the Canadian heavy metal band KITTIE, writing songs about busted relationships and bad vibes between lovers seems to be the main theme of their fourth album “Funeral for Yesterday,” The band spent Year 2006 designing the music and writing the lyrics for this work. The album consisted of 14 tracks, an incredible effort for a metal band, which at the time was less than 10 years active and having two brand new memebrs. KITTIE band members on this album were Morgan Lander vocals, Mercedes Lander drummer, Tara McLeod guitar, and Trish Doan on bass. As a metal band their song themes regularly touch on angst, separation, pain and disillusionment.

For KITTIE when things did not go right with their record label, they took matters into their own hands. They decided to release  “Funeral for Yesterday” on their own label ‘X of Infamy Records.’ The album was distributed through EMI Records. It debuted at #101 on the Billboard 200 Album charts in 2007.

We can take a page from their book when dealing with one-sided associations. Despite how comforting it may be to play it safe, and just let life wash over us, we could take matters into our own hands. There is always a risk that if we are not careful, we just might not get what we want when stepping out solo. What should we ignore and what should we hold onto when we know that a relationship is over?

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Tom Petty – RIP

by Lawrence J. J. Leonard

In an ironic twist of life and death, we will soon celebrate the birthday of Thomas Earl Petty, AKA Tom Petty, the  American rock musician, singer-songwriter, producer and music icon.  He was born in Gainesville, Florida, on October 20, 1950.

As the lead singer of Tom Petty and the Heartbreakers in his early career, he went on to co-found the 1980s supergroup “The Traveling Wilburys” with George Harrison (formerly of The Beatles) which also included Bob Dylan, Roy Orbison, and Jeff Lynne (formerly of Electric Light Orchestra).

His recent death on October 2, 2017,  came too soon for our current generation of youth and 20-somethings who are woefully musically clueless by being exposed to the overpoliticized genre that is the self-aggrandizing rhythmic expression performed as Rap. Add to that the Electronic Pop swill from LA and NYC “record” production companies which foist repetitive and mindless phrases posing as anthems into the distribution stream to hawk oversexualized personas that will never pass as teen role models no matter how little they “donate to show you care” –  when everyone is looking. But, I digress. Suffice to say that music as an art form has gone DOWN a peg with his unexpected passing.

If you grew up with rock music and appreciated what it was to sing about America and the American dream, or even if you only just learned about his melodies, or were ever fortunate enough to see him in concert, you may appreciate the following  song from the Heartbreaker’s golden years.  It was at the dawning of cable TV and MTV and CCTV and mobile phones. 

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The Saddest Songs of Rock and Roll – #11

by Lawrence J. J. Leonard

The best part of growing up is finally getting into high school and then graduating. The worst part of growing up is finally getting into high school and then graduating. There are not equal parts of happiness and sadness. There are mostly sad and emotional issues for everybody involved. Going from teenager to adult is not easy. It is how we react to those situations that either force us to be “just like everyone else” or cause us to invent our own kind of “normal.” Most of us have looked in the mirror and wanted to change something about ourselves or our lives. Usually because we have compared ourselves to others, we ended up feeling like we were the ones lacking something. But, high school is a product of where we live. Almost nobody can go to high school in another state, like we can for college. So, it is our neighborhood that determines the social order of our teenage years that we struggle against.

Fighting the forces of hormones, emotion, social cliques and destructively selfish children are the topics that American singer-songwriter Janis Ian (born Janis Eddy Fink) wrote about in her early career. Janis was born in New York and cut her teeth in the folk music scene during 1960s as a teenager. Her first hit was “Society’s Child” and it made it to #13 on the Cash Box Pop Singles chart in 1965.  As a performer she took on quite a bit as a 14 year old.  That song’s focus was interracial romance.  The reality of social pressures from parents and schoolmates forced the girl to end her relationship in the song.

Not being able to “deal with the pressure” is not a failing of any young person who wants to have a friendship or something more meaningful with another person. Janis decided to speak about this in her music. After releasing several unranked songs that achieved critical acclaim, she ultimately wrote a song that struck the most sensitive nerve with young women (even to this day). She composed a song that unreservedly pointed to the cruel way  in which young women were and still are treated poorly by insensitive boys. She also exposed most young women’s secret misgiving, that they feel ugly because they are not accepted by those same selfish people and their high school peers.

Life is what we make it. So, if it is a struggle, we either gear up and learn to push back, or we just go along to get along. Either way, we make an active choice to get from 9th grade into 12th grade. This can be a skill that translates into surviving adult society’s pressures. But, why should we only survive in this world when we can live the way we want and love ourselves in the process?

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The sun is gong to set

by Lawrence J. J. Leonard

What time is it?

The sun is going to set 
through violet
then jet
making time to forget
the things we don’t let
as yet.

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The Saddest Songs of Rock and Roll – #12

by Lawrence J. J. Leonard

Who is the one to say ‘this is how it is’ in a relationship ?  You or me? Eventually we will decide which one of us is going to be the leader. When dealing with feelings, it is true that one person loves more than the other.  That does not mean love is not worth the price we pay. But, we all know Human beings take advantage of this position in order to tease (both meanly and playfully), to critique and even to humiliate. It gets worse when the proverbial pot is calling the kettle black.

The American rock band Staind is made up of Aaron Lewis – lead vocals, Mike Mushok – lead guitar, Johnny April – bass, and Jon Wysocki – drums.  The four formed in 1995 and cut their first album in 1996. Near the end of Year 2000 they were cutting their third album, “Break the Cycle  in a network of  studios from LA to New York City to Miami, Florida. While the band was known for lyrics that were angry and depressing, it was cutting its teeth in a new metal and post-grunge style that expressed the difficulties of relationships. One song in particular highlighted what it feels like when the misgivings of a cruel lover are finally exposed.

The easiest thing to do is to criticize another person. It happens every day on Twitter, Instagram, Facebook, and every other overly social web that invites comment and controversy. Among our friends we talk about it at work, we engage in it behind the wheel, and raise our voices to our world’s leadership, especially those who lack leadership. What should our attitude be when the one closest to us breaks our hearts with hurtful words and hipocrisy?

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