MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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Every Billionaire’s Secret

by Lawrence J. J. Leonard

My customers ask me all the time, “Where do I place the Treasure Fulcrum?” Okay, so not exactly in those words. What I hear most often is: “Isn’t there an easier way or some secret formula to get lots of money?

I tell them that there is… inherit it. As with any relationship, acquiring wealth demands commitment. This is not a secret.

Let’s Define Wealth

We know that wealth does not just mean money. It can also be defined as value. It can be defined as our brand. The determining factor is that if some thing is valuable to us, then we can be wealthy by adding more value through honest investment.   

The most succinct definition of “investment” is: “someone’s commitment of an asset in a system in order to achieve a planned goal.” We can commit our moneyinterestservicedevotionheartlove, energy and most importantly time. These are our assets and they allow us to have a relationship with wealth. This is not a secret.

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What is the opposite of ‘bananas’ ?

by Lawrence J. J. Leonard

Let’s see. This is not a trick question, but it is a concern which some Team Leaders should assess when building rapport and especially when mentoring new hires and promotable employees. What does going bananas mean?

The term bananas first appeared in the US in 1942 “The American Thesaurus of Slang: a complete reference book of colloquial speech in the definition for eccentric” with a meaning of: “Balmy, bats, bent, crazy . . .” In 1833 an American slang meaning of the term bent was to be interpreted as intoxicated with alcohol or drugs. So, this just a definition using slang to define other slang.

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The Saddest Songs of Rock and Roll – # 5

by Lawrence J. J. Leonard

Is there any significant difference between longing, yearning, and pining. Each word gives a feeling of separation, emptiness, incompleteness or even loss. Why do Humans have such feelings and dreams and fears? These emotions often propel us into that place where being away from a loved one can invoke physical pain. Is it because we were designed this way? Was it a set of learned combinations?

Human societies must have suffered a lot in order to teach the next generation to be mindful of  sadness. We still glorify pain and loss in our stories and songs today. When was the first time these words were ever spoken: “I miss you” ? We may have uttered this phrase aloud after reading a letter from someone far away. Or, we could have longed, yearned, and pined for a loved one after discovering that they were undergoing a difficult trial or some extreme hardship.

Our best artists use musical instruments to generate vibrations mimicking groans that excite the brain. These sounds invite use to relive our valuable memories. Mellow tones for self-awareness and high shrill vibrations for self-preservation. Distinctive melodies cause us to feel both joy and pain. David Gilmour, Roger Waters, Nick Mason and Richard Wright of Pink Floyd the progressive rock band constantly were constantly perfecting a combination of sounds to evoke emotion. This was evident in the group’s ninth studio album “Wish You Were Here.” It was released in the UK on the Harvest Record label, and on Columbia Records in the USA. Neither company could keep up with the public’s demand for the it. The saddest song on the record asked the most questions.

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La Malagueña Salerosa – Spanish and English

by Lawrence J. J. Leonard

Malagueña Salerosa” — also known as “La Malagueña” — is a well-known “Son Huasteco” song from Mexico.
It is in the public domain the same way the famous song, Cielito Lindo, is and also is very well-known in the Americas.

 Incidentally, Elpidio Ramírez registered the lyrics in 1947. However the song was already known as a type of “Huapango” which is a type of song written “long before the construction of the Cathedral of Huejutla.” In other words, it was already a well-known ballad. So, there seem to be no real claim to the song for Ramirez.

This translation (below) and the American musical interpretation (click link below) are the most culturally accurate and follow the poetic originality in the Huapango tradition. This version is a rock gem!

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The Saddest Songs of Rock and Roll – # 6

by Lawrence J. J. Leonard

A common expression we hear not only in team sports but also in relationships is “She/ he seemed to  hit a wall.” This could mean a physical obstacle such as endurance or not seeing the “big picture.” However, in a relationship it can mean that the people involved could not make it work or even reach some sort of a compromise. When there are problems just getting along it can be very frustrating.  A psychological professional might look for a way the people involved acknowledge the problem and then take responsibility for their own (lack of) contribution. We can and should depend on our friends for acknowledgement, sociability, and communications. At best we hope that the other person understands our setbacks and failures. At worst our friendships can be more like, to use a phrase, “misery loves company.”

Chad Gray frontman for the Dallas, Texas, metal band HELLYEAH, writes songs that reach the very hearts of metal music fans. In 2006 Chad was fronting his first band, Mudvayne, while developing a project with former Nothingface guitarist Tom Maxwell, bassist Kyle Sanders, former Pantera and Damageplan drummer Vinnie Paul, with guitarist Christian Brady.  Chad has said in interviews that most people who like rock music want some kind of outlet to express  feelings and emotions associated with lost love.  Maybe because this is a common human experience.  Relationships that end – for good or bad – are a kind of parting and it is these broken ties which make us who we are.

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The Saddest Songs of Rock and Roll – # 7

by Lawrence J. J. Leonard

Somewhere in our past – and even our present for many of us – we can recall someone who has reached the limits of physical pain. They have hit the wall of emotional strain. Perhaps felt the crushing blow of loss.  Could be the loss of a loved one. Or loss of self worth. We empathize and want to help. We want to ease their suffering. We want to wave a magic wand or call in a favor from G_d, then *poof* the miracle changes everything. We don’t have that kind of power. So our relationship with this person changes. They want out. Or they decide to give up because they are tired of fighting the pain. They let go and leave… forever. They release their grip on this realm, but we refuse let go of their memory.

After seven years of touring and writing songs and studio efforts, the band Breaking Benjamin was able to address the kind of sorrow that humans face when badgered by hopelessness, age, cancer, and worst of all pain in their bodies and minds. The band formed in 1999 with Benjamin Burnley as lead vocalist and guitars, Aaron Fink as lead guitarist, Mark Klepaski as bassist, and Chad Szeliga (originally Jeremy Hummel ) as drummer.

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The Saddest Songs of Rock and Roll – # 9

by Lawrence J. J. Leonard

Woulda, shoulda coulda are the words we sometimes say when looking back at a situation that did go our way or work out favorably. We feel worse when a relationship we have problems with quickly comes to an end. Then what makes us more upset is seeing our Ex do well with someone else. This kind of realization can make us long for the way things used to be.

For the Canadian heavy metal band KITTIE, writing songs about busted relationships and bad vibes between lovers seems to be the main theme of their fourth album “Funeral for Yesterday,” The band spent Year 2006 designing the music and writing the lyrics for this work. The album consisted of 14 tracks, an incredible effort for a metal band, which at the time was less than 10 years active and having two brand new memebrs. KITTIE band members on this album were Morgan Lander vocals, Mercedes Lander drummer, Tara McLeod guitar, and Trish Doan on bass. As a metal band their song themes regularly touch on angst, separation, pain and disillusionment.

For KITTIE when things did not go right with their record label, they took matters into their own hands. They decided to release  “Funeral for Yesterday” on their own label ‘X of Infamy Records.’ The album was distributed through EMI Records. It debuted at #101 on the Billboard 200 Album charts in 2007.

We can take a page from their book when dealing with one-sided associations. Despite how comforting it may be to play it safe, and just let life wash over us, we could take matters into our own hands. There is always a risk that if we are not careful, we just might not get what we want when stepping out solo. What should we ignore and what should we hold onto when we know that a relationship is over?

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