MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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ON THE COOL SIDE

by Lawrence J. J. Leonard

I got a Telegram it read: “Already answered.
We know you know these things
come down from above
But see, the Message was supposed to be a question:
“Say, do you know the meaning
or the reason
for love?”

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Two cents worthy

by Lawrence J. J. Leonard

The following “One Liners” are not necessarily puns.
I happily share them with you because when you read this,

you may have forgotten that it’s not quite Friday.
Here are my two cents worth of smile material.

And they make great toasts for your next imbibe interval.
Cheers! or Gotcha!

* Life is ugly. Get a faith lift.

* I was addicted to the Hokey Pokey. Then I turned myself around.

* Save the planet! It’s the only one with beer.

* Six out of seven dwarfs are not happy.

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Billy Graham – not gone, just moving on ahead as promised

by Lawrence J. J. Leonard

William “Billy” Franklin Graham Jr. KBE was born November 7, 1918 and died February 21, 2018. Billy was an American evangelist, a significant evangelical Christian figure, and an ordained Southern Baptist minister. He is still considered one of the most influential preachers of the 20th century. His evangelical revivals are re-broadcast into the 21st century.

Be of Good Cheer
” ‘Jesus said, I have overcome the world.’ Now, Jesus made this statement just before he went to Gethsemane and just before he went to Calvary. He warned the disciples in that upper room. He said, ‘As the world hated me, it will hate you, too.’

“He used the word COSMOS, the world SYSTEM. Not the Earth. Not the trees. Not the Nature, but the WORLD SYSTEM. And, the Bible teaches that this WORLD SYSTEM is dominated by EVIL. Satanic cosmic principles of force and greed and selfishness and ambition and pleasure seem to be in control most of the time. Continue reading


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American History Month – featuring some not so famous Black Americans

by Lawrence J. J. Leonard

Turn on the TV and you will see iconic images of the late Dr. Martin Luther King, Jr. being used to sell automobiles. Seriously? This is what we as a society must guard against –  having well established heroes being used as economic pawns on the boob tube. So, how do we do this? Write letters? Protest on the Mall in Washington, D.C.? Make demands on social media and get millions of hits with a YouTube video? Remember the purpose of the last video you watched? Me neither.

The BEST way and the EASIEST way to solve this dilemma is to remember. We need to REMEMBER who we are! Yes. The purpose of every commemorative is to recall the good, and the bad, and then some more good (if possible). Every day is American History Day in the USA. Somebody is usually tinkering with something that moves us a little closer to “smarter” or “richer” or “cooler.”

I want to consider February my AMERICAN HISTORY MONTH which just happens to feature Black American citizens. The people I have commemorated here are heroic because of the determination that they showed against society, against naysayers, against a rigid system that tells US we should value things and not people.  Here is my list of genuine role models.

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The Saddest Songs of Rock and Roll – # 7

by Lawrence J. J. Leonard

Somewhere in our past – and even our present for many of us – we can recall someone who has reached the limits of physical pain. They have hit the wall of emotional strain. Perhaps felt the crushing blow of loss.  Could be the loss of a loved one. Or loss of self worth. We empathize and want to help. We want to ease their suffering. We want to wave a magic wand or call in a favor from G_d, then *poof* the miracle changes everything. We don’t have that kind of power. So our relationship with this person changes. They want out. Or they decide to give up because they are tired of fighting the pain. They let go and leave… forever. They release their grip on this realm, but we refuse let go of their memory.

After seven years of touring and writing songs and studio efforts, the band Breaking Benjamin was able to address the kind of sorrow that humans face when badgered by hopelessness, age, cancer, and worst of all pain in their bodies and minds. The band formed in 1999 with Benjamin Burnley as lead vocalist and guitars, Aaron Fink as lead guitarist, Mark Klepaski as bassist, and Chad Szeliga (originally Jeremy Hummel ) as drummer.

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Tom Petty – RIP

by Lawrence J. J. Leonard

In an ironic twist of life and death, we will soon celebrate the birthday of Thomas Earl Petty, AKA Tom Petty, the  American rock musician, singer-songwriter, producer and music icon.  He was born in Gainesville, Florida, on October 20, 1950.

As the lead singer of Tom Petty and the Heartbreakers in his early career, he went on to co-found the 1980s supergroup “The Traveling Wilburys” with George Harrison (formerly of The Beatles) which also included Bob Dylan, Roy Orbison, and Jeff Lynne (formerly of Electric Light Orchestra).

His recent death on October 2, 2017,  came too soon for our current generation of youth and 20-somethings who are woefully musically clueless by being exposed to the overpoliticized genre that is the self-aggrandizing rhythmic expression performed as Rap. Add to that the Electronic Pop swill from LA and NYC “record” production companies which foist repetitive and mindless phrases posing as anthems into the distribution stream to hawk oversexualized personas that will never pass as teen role models no matter how little they “donate to show you care” –  when everyone is looking. But, I digress. Suffice to say that music as an art form has gone DOWN a peg with his unexpected passing.

If you grew up with rock music and appreciated what it was to sing about America and the American dream, or even if you only just learned about his melodies, or were ever fortunate enough to see him in concert, you may appreciate the following  song from the Heartbreaker’s golden years.  It was at the dawning of cable TV and MTV and CCTV and mobile phones. 

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The Saddest Songs of Rock and Roll – #17

by Lawrence J. J. Leonard

This is nothing wrong with death. It is a natural process in the life cycle of living things. Unfortunately, there are circumstances where some of us face death all too soon in our journey here on Earth. American TV advertising floods programming with commercials telling us to buy products which will keep us young and reverse or slow the aging process. Why? Manufacturers think that we are afraid of dying and of looking old. So, they assemble products to “boost” naturally fading hormones. Surprisingly, the Botulinum toxin (BTX) a neuro-toxic protein produced by the bacterium Clostridium botulinum is one of those products. BTX is an acutely lethal toxin that “they think” will stop the aging process through paralysis. Who wants a killing toxin injected into the body, much less injected into the face? Ironically . . . people who are afraid of dying and looking old.


More than 23 years ago, (how’s that for aged?) Scott Hull founded the grindcore band Agoraphobic Nosebleed in Springfield, Massachusetts with Carl Schultz and J. R. Hayes.  While many band members have come and gone, Scott is the remaining original. He is a guitarist and drum programmer who can be pointed out as a significant influence on several drum-machine grindcore bands today.   Grindcore is a genre of music that is considered ‘extreme’ because it uses slow, industrial laden beats, abrasive-sounding tones, including heavily distorted and down-tuned guitars and grinding overdriven bass. The beat can flip to a high speed tempo with blasting vocals – growls and rumblings, and even screams.

Today, the group is made up Jay Randall, Kat Katz, formerly of SalomeRichard Johnson of Enemy Soil and Drugs of Faith, and John Jarvis formerly of Pig Destroyer and Fulgora. ANb has perfected the “micro-song” characteristic by releasing four studio albums and 27 short length efforts in their career. This includes the EP entitled “ARC” which has a track that puts the listener in the center of a death scene. The EP features vocalist Kat. “ARC” is supposed to be the inaugural effort of a four-work EP series. The purpose of which allows each individual band member to express themselves through the grindcore experience.

What is it like when we lose a dear loved one? Do we only shed tears? If our feelings could speak, would they not also scream and growl and breakdown in loud and sorrowful desperation? What is that one thing we would petition our dying loved one before their life oozed from this realm of pleasure and pain?

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