MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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The Saddest Songs of Rock and Roll – #17

by Lawrence J. J. Leonard

This is nothing wrong with death. It is a natural process in the life cycle of living things. Unfortunately, there are circumstances where some of us face death all too soon in our journey here on Earth. American TV advertising floods programming with commercials telling us to buy products which will keep us young and reverse or slow the aging process. Why? Manufacturers think that we are afraid of dying and of looking old. So, they assemble products to “boost” naturally fading hormones. Surprisingly, the Botulinum toxin (BTX) a neuro-toxic protein produced by the bacterium Clostridium botulinum is one of those products. BTX is an acutely lethal toxin that “they think” will stop the aging process through paralysis. Who wants a killing toxin injected into the body, much less injected into the face? Ironically . . . people who are afraid of dying and looking old.


More than 23 years ago, (how’s that for aged?) Scott Hull founded the grindcore band Agoraphobic Nosebleed in Springfield, Massachusetts with Carl Schultz and J. R. Hayes.  While many band members have come and gone, Scott is the remaining original. He is a guitarist and drum programmer who can be pointed out as a significant influence on several drum-machine grindcore bands today.   Grindcore is a genre of music that is considered ‘extreme’ because it uses slow, industrial laden beats, abrasive-sounding tones, including heavily distorted and down-tuned guitars and grinding overdriven bass. The beat can flip to a high speed tempo with blasting vocals – growls and rumblings, and even screams.

Today, the group is made up Jay Randall, Kat Katz, formerly of SalomeRichard Johnson of Enemy Soil and Drugs of Faith, and John Jarvis formerly of Pig Destroyer and Fulgora. ANb has perfected the “micro-song” characteristic by releasing four studio albums and 27 short length efforts in their career. This includes the EP entitled “ARC” which has a track that puts the listener in the center of a death scene. The EP features vocalist Kat. “ARC” is supposed to be the inaugural effort of a four-work EP series. The purpose of which allows each individual band member to express themselves through the grindcore experience.

What is it like when we lose a dear loved one? Do we only shed tears? If our feelings could speak, would they not also scream and growl and breakdown in loud and sorrowful desperation? What is that one thing we would petition our dying loved one before their life oozed from this realm of pleasure and pain?

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The Saddest Songs of Rock and Roll – #22

by Lawrence J. J. Leonard

Years of experience have taught our old time farmers what to expect in a given situation. Pleasant weather turning bad. What is a good tool and what is a better tool to use for a job. How to not let your eyes fool you – so use a measuring stick.  And, what it really takes to get from point A to point B.  There is always that outlier, that one freak possibility which can cause everything to go wrong. We are instructed to be prepared for that outcome and especially a loss in any case.

In 1968 Michael Martin Murphey was a student at UCLA, working on a concept album for Kenny Rogers. The work meant long hours and little sleep. In his fatigue Michael is said to have dreamed of a song.  He woke up and by the next morning wrote it down. He told an interviewer that the song reminded him of a story his grandfather told him when he was a little boy. It detailed a Native American legend about a ghost horse.

Michael was teamed up with Boomer Castleman in 1967 as part of a duo known as the Lewis & Clark Expedition (which had a brief stint on TV).   After Michael began his solo career later in 1968 he co-wrote his song with Larry Cansler. They were struggling in southern California at the time.

By 1971 Michael came back to Texas and joined the “Outlaw Country” movement. He was working along side Willie Nelson and Jerry Jeff Walker. Michael created a unique blend of country, rock, and folk music. This caught the ear of Epic Records managers who produced four albums for him, including “Blue Sky – Night Thunder” which peaked at #18 on the Billboard 200 Album chart in 1975. This was the seminal work of Michael’s career. The lead track of the album still brings young girls and old men to tears. It is the tale of a man facing devastating weather, a runaway prized pony, and a lost love.

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The Saddest Songs of Rock and Roll – #23

by Lawrence J. J. Leonard

The more things change, the more they seem to stay the same. We don’t intend to be just like our parents or guardians. Something happens as we grow older and begin to use good habits to protect ourselves or personal interests. We also try out bad habits that supposedly help us to ‘get through it’ or ‘to forget’ painful trials. This is how we evolve into who we are. Some of us are strong and motivated to develop good things and to make life better. The rest of us have weaknesses. We are preoccupied with not fainting from the pain, or struggling to see the light of a new day. We all confront roadblocks and hassles and really stupid humans along the way. If any of us get a chance to be a role model, we often struggle with doing the right thing.

For singer and songwriter Harry Chapin (1942 – 1981) our world was in was in constant need of somebody doing the right thing. Some of his friends such as Bruce Springsteen would say he was more than an activist and a little overbearing besides. Harry was versatile and his work as a guitar teacher brought him together with a student, Sandy Gaston, whom he asked to marry two years into their relationship. The new Mrs. Sandy Chapin inspired one of Harry’s songs “I wanna learn a love song“. The two would later collaborate on one of the most impactful hits which is still very recognizable today.

The new song’s lyrics began as a poem written by Sandy. It was inspired by the awkward relationship between her first husband James Cashmore and his father.  Apparently fathers and sons have issues when the dad is too busy with work or another relationship to maintain a connection. it is rumored that Harry told an audience that the song scared him just thinking about its implications. Is it really that hard for a father to spend time and nurture a relationship with a growing son (or daughter)?

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The Saddest Songs of Rock and Roll – #27

by Lawrence J. J. Leonard

When we hear someone say, “it is what it is,” are we admitting that we are accepting things the way they are or accepting people for the way they act? Not necessarily.  It may be more along the lines of “facts are facts.” Some things we just cannot deny. There will be people in our lives who are as flawed as characters in a play. At times, those people can be us. Doing what is best can break our own hearts.

Consequently, a reputation can open a door that would rarely be approachable on our life journey. Such was the opportunity for singers Michael McDonald and Patti LaBelle.  Michael had been four years separated from the Doobie Brothers rock band when he got a call from Patti. It was an invitation to turn a song into a duet for her upcoming “Winner In You” LP. She had just released the #1 Dance chart single “New Attitude” out of the film soundtrack for “Beverly Hills Cop.” It had also cracked the Top 20 on the Billboard Hot 100 charts.

Rock fans never stopped adoring Michael’s full-bodied melancholy tone. But, his solo work was moving deeper into the beats of 1980’s rhythms. So were Patti’s when she cut a new song track. Decidedly, she told her recording engineer that the vibe was not on point. She wanted to redo it as a duet. When asked who she would like to sing with, Patti immediately suggested Michael. Rock fans could not have been prouder.

Despite the two of them being on different coasts, a team of producers worked out the audio and the video separation elements. This brought them together for radio and MTV audiences. And yet, the song was wholeheartedly about being apart, alone, and torn up over a difficult break-up. No matter how we try to make a relationship work there will be circumstances where staying together is not in our best interest.

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The Saddest Songs of Rock and Roll – #30

by Lawrence J. J. Leonard  (WARNING: adult content)

That’s it! I quit!

We hear you. We’ve all been there at some point hoping to get out of a bad situation. It really takes a lot of bad news to break off a relationship. When it is over, though, it is so over. Usually it is not because of one misunderstanding nor a string of them. The reasons to break up with somebody abruptly can be anything from not being appreciated to cheating and lying. The feeling of hurt mixed with anger is not an easy process to wade through.

One of America’s most eclectic musicians and songwriters who is able to articulate this feeling is David Bromberg. His musical tastes run the gamut. They are as varied as the many musicians he has played with.  These include:  Jerry Jeff Walker, Willie Nelson, Jorma Kaukonen, Jerry Garcia, Rusty Evans, Bob Dylan, The Eagles, Vince Gill, Linda Ronstadt, Los Lobos, John Hiatt, Ringo Starr and George Harrison. David’s virtuoso guitar style is featured on 18 solo albums. Although his roots are based in folk music, his songs reflect his life and times. So, what was it that made him so determined to separate from a girlfriend that inspired his iconic break-up song?

David got an idea for the 1976 album “How Late’ll Ya Play ‘Til?” and it involved a big split – but in a good way. The album is a two record / two CD collectors item. The first is a studio session collection of humorous songs. David shows off his guitar blues skill. The second includes his break-up rendition. David must have come face to face with a really unfaithful person. We can feel lost and betrayed when the one who loves us shares their affection with someone else.

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The Saddest Songs of Rock and Roll – #33

by Lawrence J. J. Leonard

How much fun is it to point at the TV and say, “There’s my boyfriend/  girlfriend.” We see people in the malls, driving by, and even in our schools and can instantly fall in love. Sometimes there are chance meetings at clubs and shows or concerts. What happens if we meet a rock star and they are nice enough to make us feel special?

If a girl or a boy ‘falls in love’ in this way we call them silly. If an adult does this, we call her/ him a groupie. Even if we fall in love with a famous musician who we meet by chance, it is usually not a long term thing, We might think less of that musician if they break someone’s heart. This seems to be the theme for a 1969 song written by Bonnie Bramlett, Leon Russell and Delaney Bramlett.


This was the same year that Karen Carpenter (1950-1983) formed The Carpenters soft rock band with her brother Richard Carpenter. She was the drummer and lead vocalist while he was a pianist and arranger. The band released hit songs that touched on all manner of hopeful relationships. Their star power generated five #2 singles and three #1 singles on the Billboard Hot 100.

The song, originally called the ‘Groupie song,‘ became one of the most famous melodies by The Carpenters and also an international sensation. The way Richard arranged the orchestra seemed to showcase sobbing horns, a broken beat, and a rainy piano accompaniment. Fans said it really felt as if you were someone who was “in love” with a popular itinerant musician. It is not always easy to accept that the one we love is ready to move on and not as invested as we are.

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The Saddest Songs of Rock and Roll – #34

by Lawrence J. J. Leonard

We live in a place where people are in despair. They suffer in public. Sometimes we see them hurting and we reach out with water, change, advice, or a meal. Other times we just concentrate on getting as far away as possible.

For English singer-songwriter Phil Collins, the thrust of his music is more than painting pictures with words. He describes realistic and stark scenes. Sometimes they have happy but complicated endings with upbeat rhythms. Other times the music is eerie and the lyrics hurt to hear. For Phil the prospect of having an encounter with a homeless man, as described in the 1982 release by his former band, Genesis, was a Top 40 sensation in America.  The song “Man on the Corner” saw a person down on his luck and with no place to go,  It had an “I see him” kind of detached feel.

Unfortunately, just like every other music artist who puts his/ her politics in front of the audience, the critics rightfully invoked the “hypocrisy label” on Phil because his wealth was being used as he called on  everyone else to act. As if singing about homelessnes is supposed to be a socially conscious and caring contribution. It is however quite lucrative for a musician.

Phil understood this formula and altered his lyrics for a song that ended up as the first track on the B-side of his fourth solo album, “. . .But Seriously.” It was a poignant description of a homeless woman’s plight. Phil’s tone and melody bring a an aura of shame and sadness to the radio. While singing along has caused us to convict ourselves of not doing enough. It is easy to feel sympathy for anyone who truthfull lives in the streets. It is hard to spring into action for each person’s need is as unique as their fingerprints.

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