MarsEarth

Old world wisdom, new world insight – poems, poetry, philosophy, dreams, commentary, ideas


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The Saddest Songs of Rock and Roll – #13

by Lawrence J. J. Leonard

Ever had a friend that was always putting themselves down? Remember the times we may have done the same thing to ourselves? It is never easy feeling inadequate. This is something we do to ourselves. If others try to tell us how we are wrong, it can make us feel powerless. If we tell ourselves we can’t make the grade, then we are just giving up true power over our own lives. Wanting to be the best we can be can involves being with others. It can get confusing if we think that someone else can make our lives better, just by being close to them.

The English alternative rock band Radiohead kicked off their career with this concept. Band members Colin Greenwood – bass guitar, Jonny Greenwood – guitar and keyboards, Ed O’Brien – guitar and backing vocals, Philip Selway – drums, and Thom Yorke – lead vocals, are all involved in songwriting. Colin has reported that Thom wrote their first hit song while a college student in the late 1980s. Supposedly the lyrics were inspired by a girl that Thom had a crush on. She showed up at one of the band’s early concerts and that was the spark. While in the studio for their first album, the band decided to perform the song for their producers. They were impressed and encouraged the bigwigs at EMI Records to release it as the group’s first single.

The band had some issues with their newfound fame beginning in 1993. Extending their tours in the US and the UK and playing the same songs over and over again.  The group complained that they felt like they were stuck. Being sad, depressed or melancholy is not an easy place to leave. Especially if our own bodies are causing us physical and mental pain.  It is so important to try… to try and get a handle on what we tell ourselves.  Is it true that our inside-the-head game is more important that what’s going on around us?

 

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The Saddest Songs of Rock and Roll – #14

Lawrence J. J. Leonard

Sometimes we hear a song in our heads – over and over and over. When happy, it is a great thing. When it is an annoying jingle or an unpleasant phrase, the whole day can be one big distraction. Having a phrase or a command repeat itself is a challenge, especially if it is negative. The issue we have to deal with is when we let bad vibes and self-criticism determine our outlook on life. Letting bad things into our lives is a choice we make.

For the southern California alternative rock group, Awolnation, bringing attention to the fretful ideas in our heads which cause anxiety and worry is almost their trademark. Their songs ask questions: “Can I get an amen?” and “Do you love me?” and “Would you have the courage not to lie?” These are followed by being irresponsible: “Rob from the rich … to dance with the poor.” and “Look at who you’re hating. Now you’re celebrating.” Then,  expressing concern: “We must learn to cope.” and  “You gotta love your life.”

Band members Aaron Bruno, Christopher Thorn, David Amezcua, Hayden Scott and Kenny Carkeet all have had previous experience in a band. Their first studio work together, “Megalithic Symphony” was released in March, 2011.  The group’s subsequent tour helped the album reach #84 in the Billboard 200 Album charts. However, one song in particular did exactly what those pesky phrases in our minds do.  It appeared on the radio and then left. It went A.W.O.L. (absent without leave) so to speak. But then it re-entered radio rotation and climbed the charts to become a Top 40 hit. 

Is it just the nature of Humans to have a psyche that is hyper-critical? Do we often put ourselves down? Should we do that? Today’s culture seems to think there is always someone else to blame and that we are all just victims. How sad are we if we embrace this position of having no control over our own lives? Continue reading


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The Sky is Crying – Texas Flood

by Lawrence J. J. Leonard

Today we celebrate rain and wind and convection and hurricanes.
Hurricane Harvey is causing way too much anxiety for the East Texas coast.

We are praying for the south Texas coast, especially Corpus Christi and all the surrounding cities.
We are praying for Kingsville and Brownsville, Texas, and Matamoros, Mexico, too.

Stevie Ray Vaughan said it best, “The sky is crying.”
But this weekend, we are having ourselves a genuine Texas Flood.

Thank you for praying for Houston, too.

GOD BLESS TEXAS!

Peace!

Hunker down!

Copyright © 1960-2017 Lawrence J. J. Leonard All rights reserved.


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Telltale Tongue

by Lawrence J. J. Leonard

When we stick out our tongues at someone who has angered us,
it is a sign that what we really feel is frustration or defiance or disgust.
When we have that exact reaction in a pleasant context, it is a demonstration that what we really feel is consolation or irony or just playful.

What matters most is what we intend to express. What is in the heart.
The tongue is a big red flag (pun intended) that we wag when we want to express something cutting or hurtful.
Then again, it is a soft and comforting tool when we want to speak soothingly to someone in pain or console someone’s exasperation.

Why the tongue so powerful?
This explanation will be shorter
than a Top 40 song from 1960s.

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The Saddest Songs of Rock and Roll – #17

by Lawrence J. J. Leonard

This is nothing wrong with death. It is a natural process in the life cycle of living things. Unfortunately, there are circumstances where some of us face death all too soon in our journey here on Earth. American TV advertising floods programming with commercials telling us to buy products which will keep us young and reverse or slow the aging process. Why? Manufacturers think that we are afraid of dying and of looking old. So, they assemble products to “boost” naturally fading hormones. Surprisingly, the Botulinum toxin (BTX) a neuro-toxic protein produced by the bacterium Clostridium botulinum is one of those products. BTX is an acutely lethal toxin that “they think” will stop the aging process through paralysis. Who wants a killing toxin injected into the body, much less injected into the face? Ironically . . . people who are afraid of dying and looking old.


More than 23 years ago, (how’s that for aged?) Scott Hull founded the grindcore band Agoraphobic Nosebleed in Springfield, Massachusetts with Carl Schultz and J. R. Hayes.  While many band members have come and gone, Scott is the remaining original. He is a guitarist and drum programmer who can be pointed out as a significant influence on several drum-machine grindcore bands today.   Grindcore is a genre of music that is considered ‘extreme’ because it uses slow, industrial laden beats, abrasive-sounding tones, including heavily distorted and down-tuned guitars and grinding overdriven bass. The beat can flip to a high speed tempo with blasting vocals – growls and rumblings, and even screams.

Today, the group is made up Jay Randall, Kat Katz, formerly of SalomeRichard Johnson of Enemy Soil and Drugs of Faith, and John Jarvis formerly of Pig Destroyer and Fulgora. ANb has perfected the “micro-song” characteristic by releasing four studio albums and 27 short length efforts in their career. This includes the EP entitled “ARC” which has a track that puts the listener in the center of a death scene. The EP features vocalist Kat. “ARC” is supposed to be the inaugural effort of a four-work EP series. The purpose of which allows each individual band member to express themselves through the grindcore experience.

What is it like when we lose a dear loved one? Do we only shed tears? If our feelings could speak, would they not also scream and growl and breakdown in loud and sorrowful desperation? What is that one thing we would petition our dying loved one before their life oozed from this realm of pleasure and pain?

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The Saddest Songs of Rock and Roll – #18

by Lawrence J. J. Leonard  (WARNING: adult content)

Those of us who are older are familiar with the British phrase: ‘Keep a stiff upper lip.’ It supposedly is considered an encouragement. Its intention is: ‘We support you,’ or ‘Don’t lose heart,’ or ‘Keep on keeping on.’ More currently:  ‘Keep Calm and _(fill in the blank)_.’ As Human beings we must continue to encourage each other to get through dark times. We often face a lack of resources, bullies, bad governments, snakes in sheep’s clothing, liars, cheats, and swindlers. Most of these trials involve bad people. We are never the only person in the whole world who has to face down a bully.  It just feels like that. Parents who let their kids get bullied need to seek out TV and radio media and expose the lazy system their child is inside BEFORE someone is hurt or self injures. With all the noise generated by a modern world, it seems we are more and more responsible for encouraging ourselves. What if the bully is our own mind?

The British rock band Bring Me the Horizon appears to have taken on this task. Their success on four previous albums led them to their fifth studio effort “That’s The Spirit.” There are eleven tracks on this effort and eight of them were released as singles. Music critics have said BMTH’s musicality is in the vein of Linkin Park, with chorus stylings reminiscent of bands such as early Metallica, and also Avenged Sevenfold and Thirty Seconds to Mars. Oliver Sykes, Matt Nicholls, Lee Malia, Matt Kean, and Jordan Fish make up the band.  This membership, after Curtis Ward and Jona Weinhofen left during the formative years.

Lee once revealed to BBC Radio that the first track they worked on for the fifth album was inspired by the group Rage Against the Machine. He explained that the lyrics make light of a “sh++++” situation. More specifically they deal with depression. Oliver says that the song is the unofficial tile track of the album.

We often fall into the trap of repeating to ourselves the bad words we use to describe our own shortcomings. It doesn’t have to be this way. What if we took that power and used it to build ourselves up and help ourselves get better?

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Hands of time

by Lawrence J. J. Leonard

I see these once tanned hands.
Lots of wrinkly skin around the knuckles.
This means — must have been ready to bend into a new shape at the clinch of a fist.

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